Notes on the Cinematograph

Author(s): Robert Bresson

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Robert Bresson's Notes on the Cinematographer are working memos which the great French director made for his own use. In all of them, Bresson reflects with a craftsman's insight on techniques and their philosophical and aesthetic implications. Not surprisingly, these acute reflections will not only sharpen a filmmaker's sensibility but that of any artist in any medium. Bresson makes some quite radical distinctions between what he terms "cinematography" and something quite different: "cinema" - which is for him nothing but an attempt to photograph theater and use it for the screen. Director of The Trial of Joan of Arc, Pickpocket, A Prisoner Escapes, Diary of a Country Priest, Money, and many other classic films, Bresson is, quite simply, one of the most brilliant cinematographers in the history of film.

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Bresson's highly-regarded book on film theory and criticism, Notes on the Cinematograph, gives readers a peak into the mind of the influential French director. Until now, Bresson's classic of film literature has been rare and expensive. NYRB Classics is thrilled to bring these "notes"--ranging from thoughts on the art of cinematography to the art of life--to a broader audience.

General Fields

  • : 9781681370248
  • : New York Review of Books, Incorporated, The
  • : New York Review of Books, Incorporated, The
  • : 0.367
  • : October 2016
  • : 20.30 cmmm X 12.70 cmmm
  • : United States
  • : books

Special Fields

  • : 128
  • : Main
  • : paperback
  • : Robert Bresson